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Perhaps the underlying reason for this can be
summed up in a single word: tombs. To be sure, the elite of
other ancient peoples made monumental burial places for
themselves, rock cut or stone built; but none of these did so
on the scale and with the persistence over so long a period of
time as did the dynastic Egyptians. And because the Nile Valley
has a desert climate, more ancient Egyptian sepulchers have
survived into the modern era than those of other cultures of
antiquity — most of these thor-oughly violated long
ago, to be sure, but a surprising number having been discovered
by archaeologists still housing their original occupants and
with some grave goods yet intact, and even a few officially
found wholly untouched by ancient or more recent tomb robbers.
Because the dynastic Egyptians believed that they
could “take
it with them” to the Afterlife, they stocked their final
earthly resting places with those tangibles which were
important to them dur-ing their mortal existence. Consequently,
a great many more of the “everyday” things of the
an-cient Egyptian culture have survived than is the case for
other peoples of antiquity. It is because there are whole
museum (and even many private) collections of this abundance of
furniture, utensils and tools, ceramics, stoneware and
glassware, basketry, toiletries, toys and games, linens,
clothing, sandals, jewelry and other personal adornments,
preserved foodstuffs, etc., that we moderns feel intimately
familiar with the personal lifestyle of the ancient Nile
dwellers, confirmed by the hard and fast evidence of this to be
found in countless display cases from Berlin to Boston, Cairo
to Copenhagen, Toronto to Tokyo. It is one thing to view a
two-dimen-sional chair in a colorful tomb fresco, and quite
another to see exhibited in a vitrine of the Metropolitan
Museum of Art an actual chair on which particular living
Egyptians really sat 3,300 years ago.
In addition to the mundane things of daily life
found in the tombs of the dynastic Nile dwellers, there are, of
course, those grave objects surviving to the present day which
are strictly funerary (i.e. magical) in nature, but which do
not exist (at least in any quantity) from other ancient peoples:
large sarcophagi of stone and wood; rectang-ular and
anthropoid wooden coffins that are painted and/or gilded;
funerary masks of painted and gilded cartonnage; so-called
canopic chests and ves-sels for the preserved viscera of the
deceased; miniature protective amulets of dozens of types;
model river vessels and daily-life scenes; and carved mummiform
statuettes (in a variety of mater-ials) of Afterlife
worker-substitutes called ushabtis.
Considering the vast numbers of utilitarian and
strictly funerary “treasures” which have been
recovered from ancient Egyptian tombs, it is sobering to
consider that the whole lot represents only a relatively small
percentage of what originally was put into elite-status graves
between the founding of the Egyptian state around 3,000 BC and
the end of the Dynastic Period some 2,970 years later. All the
rest was destroyed (or recycled) long ago, or else yet waits to
be discovered one day in the future.
At the core of every ancient Egyptian burial was,
of course, the deceased. Those individuals who were interred in
antiquity and whose mortal remains have survived to the present
are not — for the most part — the disarticulated
skeletons found in the graves and tombs of other ancient
peoples. Instead, we have the some-times amazingly
well-preserved artificially desiccated human remains known
today as mummies (from the Persian mummia, “bitumen”). Since the ancient
Egyptians believed from earliest times that the revivified
mortal body was necessary for housing the deceased’s soul
(ka) in
the Afterlife, ways were evolved over time to keep cadavers
from putrefying to mere bones. While vast numbers of Egyptian
mummies were wantonly destroyed in the last century (and
certainly earlier) — for their presumed medical
properties, and even as fuel, it seems — a great
many have survived and now are in world-wide museum col-
lections (and some private ones). Even though when unwrapped
from their obligatory linen bandaging their appearance is
generally horrific, these remaining mummies ne- vertheless
evoke a fascination in all but the most squeamish, whether
viewed directly or only in photographs. Perhaps this is because
these still-recognizable withered, leathery corpses were, in
fact, once living human beings who walked, talked, laughed,
cried, ate, drank, made love and gave birth; and that they
somehow have lasted the millennia cannot help but awe us
somewhat today, despite their frequent grotesquery. They are,
ultimately, silent reminders of our own fragile mortality.
Whether they should be con- sidered more than human artifacts
is for moralists and the religious to decide, for them- selves.
Certainly they are due the same conservation and preservation
all fragile “anti- quities” deserve; whether they
should be put on public display and stared at like any other
object surviving from the distant past is another matter
altogether.
Since archaeologists began seeking, excavating
and “clearing” ancient grave sites and sepulchers
throughout modern-era Egypt, voices of the self-righteous have
been raised charging that these formal and government-approved
activities are little more than contemporary tomb robbing in
the name of science, basically no different than the looting
and desecration undertaken by those ancient thieves who showed
scant or no respect for the dead and buried. Archaeologists
always have rationalized their tomb work as salvaging the past,
saving for posterity’s admiration and study the precious
ar- tifacts of a long-vanished culture, which would otherwise
likely be wholly lost or de- stroyed — or at the very
least secreted away and ultimately sold — by their
unscrupu- lous contemporaries who have absolutely no regard for
the past, except how its left- overs ultimately can line their
pockets for profit.
From the viewpoint of the ancient Egyptians
themselves, it might be supposed that they would be perfectly
content with their mortal remains and surviving tomb con- tents
being “salvaged” today and placed together in
museum contexts. Since living throughout eternity was their one
reason for having well-stocked their grave sites in the first
place, it is likely that — if they were aware it is so —
the New Kingdom royal-tomb architect Kha and his wife Merit
would be quite pleased to be residing now, along with their
valued possessions from life, in a comfortable side gallery of
the Museo Egi- zio in Torino, Italy. And royal in-laws Yuya and
Thuyu would probably not object at all to having been removed —
along with their plentiful, once-ransacked grave goods —
from the dark humble cave-like space hewn in the bedrock of the
Valley of the Kings, which they occupied for 3,300 years, to a
spacious open area on the second floor of the Egyptian Museum
in Cairo. In both instances the mummies of the individuals in
que- stion are not on view — resting as they do in their
innermost anthropoid coffins — and so are spared
being gawked at by the modern-day curious, who instead behold
those objects which the two couples valued in life, plus the
elaborate funerary equipage they specially prepared for their
interment, and who are thereby suitably impressed. Addi-
tionally, Kha and Merit and Yuya and Thuyu were totally
forgotten not so very long after their deaths in the
mid-Eighteenth Dynasty; three-plus millennia later their names
are known throughout a world that they themselves never could
have imagined existed. Truly they have achieved some degree of
the eternal life they took such pains and ex- pense to ensure
for themselves.
So, tombs and the “treasures”
and mummies which a few of them have been found still to
contain are part and parcel of the seemingly universal
attraction of the almost mythical and at the same time so-real
place called “ancient Egypt.” Seven of these
sepulchers — all of them discovered in the Theban area
over a period of a half century, with at least some treasure
and a mummy or more remaining — are the sub- jects of the
following chapters, addenda and appendices. They are,
inarguably, among the most famous (and infamous) discoveries
made by archaeologists working in Egypt; Known popularly as the Royal Mummies Cache, and
formally as Deir el Bahari Tomb 320 (DB320 for short), this
important site — unofficially discovered in 1871 and
officially and hastily cleared a de-cade later — was
itself, however, never formally documented and published; it
apparently has not been entered since 1919 and today is totally
inaccessible. The Egyptological (and public) interest in DB320
has focused not on the site but on its amazing human-remains
contents. Appendix Two of the present work presents the
complete catalogue of the mummified royalty (and others) of the
Deir el Bahari cache.
Chapters Two and Three tell of two of the important early
discoveries made in the famous Valley of the Kings by French littérateur-turned-archaeologist
Victor Loret: the mostly robbed Tomb 35, that of Amenhotep II;
and the almost intact Tomb of Maiherpri, Kings’ Valley
36. The first of these finds proved not only still to house the
rewrapped mummy of its royal owner (along with smashed
fragments of his original grave furnishings) but also the
cached rescued mummies of several additional rulers of the New
Kingdom, along with the remains of some anonymous individuals.
Thus KV35 came to be known popularly as the Second Royal
Mummies Cache (or Cachette). Although ransacked and minimally
robbed in antiquity, the burial of the royal fan bearer
Maiherpri ranks as the first largely intact private burial
discovered in the Theban royal necropolis. Regrettably, Loret
never formally published either of his discoveries, one of
Egyptian archaeology’s greater losses. Appendix Three is
a catalogue of the mummies, kingly and otherwise, recovered
from KV35.
Chapter Four and its several addenda recount the 1905 finding,
contents thereof and rushed clearance of, arguably, the second
most famous tomb ever discovered in Egypt, that of figures from
the sidelines of pharaonic history: Yuya and Thuyu, the
commoner in-laws of the great Eighteenth Dynasty pharaoh
Amenhotep III and grandparents of the infamous Heretic,
Akhenaten. Like the Tomb of Maiherpri, that of Yuya and his
wife (Kings’ Valley 46) had been entered and minimally
robbed in the years not long after the couple’s
interment. Their impressive multiple gilded anthropoid coffins
of near-kingly quality (from a royal workshop, no doubt) were
the first such impressive fu-nerary equipage to be discovered
fully intact; and their amazingly well-preserved and undamaged
mummies remain today the best and most attractive surviving
examples of the ancient embalmer’s craft. The discovery
of Tomb 46 brought to the forefront one of the truly
controversial figures in Egyptian archaeology, American
millionaire and dilettante digger Theodore M. Davis, who also
plays a central role in Chapter Six. While Davis did formally
(if inadequately) publish his 1905 find — and an entire
volume of the Egyptian Museum’s Catalogue
Général series was subsequently devoted to the
KV46 objects and mummies — it is regretted today that, in
the haste to empty the tomb (so that Davis could end his
excavation season according to his personal schedule), no
photography was made of the contents in situ, thus leaving the
archaeological record sadly incomplete.
Only a
year later, in 1906, Italian excavator Ernesto Schiaparelli
made an almost equally amaz-interment (and that of his wife,
who would seem to have predeceased him) is the textbook example
of what an elite-status Egyptian of the mid-Eighteenth Dynasty
regarded as essential accompaniments for the Afterlife. While
Schiaparelli had the good sense to at least minimally
photograph the TT8 burial chamber with its contents still in
place, he waited over twenty years to formally publish his
discovery, and the resulting over-sized volume in Italian —
while well-illustrated with many adequate photographs of the
tomb objects — is an often rambling account that falls
woefully short of being “scientific,” including no
measurements and not even giving the exact date of the
discovery. Theban Tomb 8 is also unique (in addition to
its fully intact state) for being the only major archaeological
discovery in Egypt that has almost no presence in that country
today (aside from the currently inaccessible tomb site itself),
inasmuch as Schiaparelli was permitted by Director-General of
the Egyptian Museum Gaston Maspero, for reasons never
elucidated, to remove all but one of the tomb’s many
objects (a floor lamp) — and the couple’s coffins
and mummies — from Egypt to the Museo Egizio in
Turin, the Italian’s sponsoring institution.
Chapter Six is a recounting of one of the
most debated and written about interments ever discovered in
Egypt, Kings’ Valley Tomb 55, more popularly known as the
“Amarna Cache.” This sepulcher was found in January
1907 by Edward Ayrton, a young English archaeologist excavating
in the employment of the difficult Theodore M. Davis. The
anciently violated interment was not a “proper”
burial, but rather the makeshift caching of a royal individual
of the controversial Amarna period, whose identity is
problematic, and whose sex and age at death have been much
argued about as well. The ransacked and water-damaged condition
of KV55 when discovered would have made its clearance an
archaeological challenge in the best of circumstances; the
impatient Davis succeeded in creating the worst of
circumstances by wilfully permitting the uncleared tomb to
become a sightseeing treat for his visiting friends, and
simultaneously requiring his relatively inexperienced
archaeologist, Ayrton, to work under the pressure of a hurried
schedule (once again, Davis required that the dismantlement be
finished by the fast-approaching end of his 1906-1907
excavation season). Although he permitted photography this
time, only seven views of the tomb’s in situ interior were
subsequently published in his handsome-but-inadequate 1910
volume on the discovery. Interestingly, other accounts of the
KV55 event, frequently conflicting in details, were published
by participants in and onlookers at the opening and clearance
of the tomb, making it the Rashomon of Egyptological literature.
Fifteen years were to pass before another
major discovery occurred in the Valley of the Kings — the major discovery
of Egyptian archaeology, to be sure, and arguably the best
known archaeological find ever made anywhere. The Tomb of
Tutankhamen (KV62) is the subject of Chapter Seven and its
three addenda, and of Appendix Four. Every schoolchild probably
knows at least the basic story of English archaeologist Howard
Carter and his aristocratic patron, Lord Carnarvon, and of
their tireless search for and eventual “final
season” discovery of the treasure-filled, gold-rich
burial of the boy-king Tutankhamen — which, though twice
robbed in the years following his death, was largely intact,
the royal mummy being the only one ever found resting wholly
undisturbed, just as it had been left by the necropolis
officials thirty-three centuries before. Retelling the story
here focuses on the archaeological aspects of the event (the
careful clearance of the tomb’s four chambers over eight
years, and a description of the major ones of the some 3,000
objects recovered therein) — the complicated politics
surrounding and impeding Carter, Carnarvon and their discovery
being dealt with separately in Addendum One. Although Carter
never got around to formally publishing KV62, his three-volume
“popular” story of the discovery and its
“treasures” certainly has been — and
continues to be — read by more persons worldwide
than any other archaeological account ever written.
In Tombs.
Treasures. Mummies. I have
attempted to present these “Seven Great Discoveries of
Egyptian Archaeology” as narratives that can be enjoyed
without any prior knowledge of the subjects on the part of the
reader. But each chapter is fully documented as well, for those
who wish to brave the fine print for the minutiae. The
photographs are, for the most part, archival.
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